Nadoya no Katte and the Space Between Things
This spring, we visited Nadoya no Katte, a small coffee stand quietly operating inside a 60-year-old home in Tokyo’s Yoyogi neighborhood. It’s a part of the city we’ve always felt drawn to—ever since hosting our first pop-up in nearby Yoyogi-Tomigaya back in 2019, we’ve loved the quiet, residential rhythm of the area. The streets feel calm but lived-in. A little tucked away, a little timeless.
That same feeling carries through at Nadoya no Katte. Hidden just off a narrow street, the entrance leads through a small garden path—stone steps, gravel, and the shade of a flowering tree. The house reveals itself slowly, worn in all the right ways: old wood, moss-covered lanterns, a soft creak in the engawa floorboards. Nothing feels designed. Everything feels placed by time.
Inside, the coffee counter sits low and simple—a stone surface under soft light. There’s no printed menu. Instead, the barista invites you to smell the available beans, one jar at a time, each with a short introduction. Based on what you’re drawn to, he offers a thoughtful recommendation. The approach is quiet, intuitive—almost like a sommelier, but more relaxed. Less performance, more presence.
The rest of the house holds that same energy. Slightly uneven floors, faded walls, the warmth of something that’s been used and not fussed over. There’s comfort in what hasn’t been polished. The beauty comes from what’s been left alone.
Sitting with a cup of coffee on the porch, the surroundings faded into stillness—no music, no noise, just the sounds of wind and birds and the gentle movement of light across old wood. Wabi-sabi wasn’t something the space tried to express. It was simply there, in everything.
Nadoya no Katte is only open a few days a week, and that irregular rhythm suits it. It’s a place that doesn’t ask for your attention—but if you give it, it offers something lasting.
We left reminded of why we fell for this neighborhood years ago. Some places don't try to charm you—they just stay true to themselves. And somehow, that’s even more compelling.